The Amblecrown Chronicles
Chapter 1: Beginnings
I firmly believe that every good story begins somewhere in the middle then jumps back to the beginning leaving the reader wondering how the writer will craft all the wonderful story elements together in a massive reveal.
But, alas, this is not a good story. It is, however, my story and it deserves to be told.
I am Thaedious Amblecrown, lover, swordsman, writer, artist, playwright, and Duke of Amblecrown, consort to Her Majesty Irena Vermile, Queen of Erandfell, Light of the World, and Descended of King John himself. It’s a mouthful to be sure, but then again, so I am.
My story begins in Erandfell in the house of Amblecrown, on the shores of the Shining Sea in late autumn. They say when I was born I didn’t cry, rather I wailed and sang a wordless note that rattled the very windows in my mothers chambers. Everyone knew then and there that I would be a talented bard. I’d spend my days fumbling around the courtyard of my family estate lulling the hunting dogs to sleep with a lullaby that I had just learned from my wet nurse.
My first experiences with stringed instruments were much like walking. At first I stumbled, but soon put one foot in front of another and weaved melodies that haunted the halls of the Amblecrown Estate for days. By the age of five I was writing songs to the match the words I was just beginning to learn. My favourite was the first rhyme I conjured by accident during bath time.
O Bath time
This duck of mine,
As a friend you’re fine,
But I miss that lass named Trine
With golden hair and blue eyes
That lass named Trine
But here I am,
With this duck of mine
During bath time.
- Thaedious Amblecrown, aged 5
I didn’t know what a lass was, nor did I know who Trine was, but I knew she would be important. The rest of my childhood was more of a preamble to adolescence rather than a forming of my future character. While others were learning to fight with swords and bows and arrows, I spent my time wandering the streets, heralded as the young prodigy able to play any instrument and sing the knickers off passing by ladies and the occasional man.
Then, like a charging bulette, my loins ripened to the fruit baring age. By thirteen I was on first names basis with half the brothel’s in Erandfell, and some of the royal houses, who shall remain a prudish Lion crested idiot who deserved everything that came to him, disapproved of my God giving talent for music and fuckery.
Unfortunately, that dimwitted shell of a man, Prince Martin Everbrook, of Lyvander, the small lower nipple of the Free Cities of Men by Stonebridge, took issue with my courting of Lady Tessa Riverbend. Turns out the fair Lady Riverbend was to be married to Prince Everbrook and did not enjoy the fact I had tending to the lady’s flowers before he had summoned the gumption to do so.
Fortunately for Prince Everbrook, he had been training with a rapier for many years and towered over me. So, using the talents that brick headed mule had, he challenged me to duel over the Lady. Who was I to refuse such a slight! Me, the heir to Amblecrown, master of song and spirit, was not going to turn down a fight.
The contest was lively, I assure you. Some tell the story that I was knocked prone with in five seconds and then pleaded for my life. Others, who are correct, will remember that while I have been knocked prone, I was not pleading for my life. I was, in fact, pleading for his. I begged him to stop! But no, the Prince’s honour was stained and only my blood would cleanse it.
So I did what any man of my talents would do, I crowded his mind with whispers of death and ruin. How was I know he would bleed from the ears and then collapse! Poor boy couldn’t handle a simple spell. With the Prince dying on the ground the guards collected his unconscious form then threw me in jail.
I really should have paid closer attention to the laws. No magic during duels.
My father pleaded the local judge for a lenient penalty. Some money changed hands and my fate was sealed before the gavel drummed three times.
I was to be exiled from the Free Cities.
All of them.
Chapter 2: Same Great Verse as the First
I found myself on the road. It is a long walk from the free cities to, well, anywhere. I managed to make it comfortable enough by humming tunes to myself. Simple diddies really, I managed to write a few into the roving epic, “To woe a fae.” But I’m jumping ahead. Feeling rather tired of the road I stopped in the small fishing village of Saldor.
Saldor didn’t have anything of note about it until I rolled into town. The wharf was a welcome site. A few small ships, the smell of fish, and my first love, the Sea’s Bounty. She was shackled to a dark part of the docks while her current owner, a half drunk mostly dumb man of 47. The bounty has stolen my heart and I was going to win it no matter the cost.
After a brief conversation I discovered the elder sailor had a minor gambling fascination. I bet him my fancy lute and 3 months of free labour that I could beat him in a card game, any card game. He chose Mimicry. A fun little game that I didn’t know. The rules were surprisingly simple. Two players draw 4 cards from the deck and place them down in front of them. The goal is to match the cards in front of your opponent before they match the cards in front of you. It’s a tough game to master, but I managed it easily enough. After a few games I had him in a debt only his ship could crawl him out of. Between crying about his family I managed to beat him and win the deed to his ship.
The next day I sailed across the sea, having convinced some local sailors to join me in my quest, to get as far away from the free cities as possible. The free cities make many orphans.
I hadn’t truly learned to sail so it took some trial and error before learning to catch the wind. The Bounty was a patient teacher. At night she would rock me gently to sleep and in the morning greet me with the most dazzling sunrises. In fact one sunrise in particular was the inspiration behind Lady Bellaluna, the Enchantress featured in, “The Marvelous Mask.” But of course we are no where near the beginnings of my writings.
It was an idle day, the wind had died, the crew was restless, and I was a tad morose over the absence of movement. I wanted to cheer up the crew so I decided to sing them a jaunty little tune. It was a wordless strumming of the lute that held no special connection to anything. Or so I thought.
You see a bards talents are odd, and sometimes you discover them at the most inopportune times. The magic rose up within me before I had a chance to fully understand what was broiling underneath. The feelings of being lost at sea, being rocked gently to sleep, and just existing burned in my soul. That fire was unleashed on an unwary, unknowing, crew. Their eyes glazed over and they began to sway with my rhythm.
The best audience is an audience who dances. So I asked them to dance and they juked and jigged until they could no longer stand. Then I forced them to stand once more to give me the ovation I deserved.
No one sits when the Bard plays.
The monologue from “The meaning of a man.” After Marious escaped his Uncle Cornilious betrayal, Marious ponders his existence.
Act 1, scene 4, Enter Marious
“Born of a king, son of a lamb and a lion.
The lamb, draped in cloth and saddled with the crown,
Was thrown into the sea and drown.
The lion, fierce and deadly, caged and broken.
And the cub? Alone, in this sewer, hiding.
The prince who hides.
The boy who cries.
Tear stained cheeks red with cowardice.
O’ damned prince, what makes you?
Kord? Did you see how I ran?
Ioun, do know what rots inside of me?
My core has eroded as it Cornilious ripped it from me.
Bane, if I asked would you work through me to right this imbalance?
Perhaps Melora, great mistress of the woods, could grant me the power to dethrone the new king?
The echoes of your silence are deafening.
You stood idle while my family was moved from one square to another.
So be it. This game of yours has been played out and I will make the next move.
I shall seek out the only ally that remains, Polonious.
I hope his blade is sharp, my plan will see it bloody.
To work then.”